Produção plástica e a instauração de um campo de conhecimento

Abstract

This paper focuses on the question of the artistic praxis in relation to the field of knowledge and which takes into account the point of view of someone who holds a unique position: the very creator of this praxis. The author tries establish a network of relations considered significant between her plastic work and concepts picked out from some other areas of knowledge, trying not to lose sight of the sensitive apprehension of her production in favor of a purely intellectual process and taking into account the random questions inherent to the artistic process. Briefly, this article retakes the main idea of a doctoral thesis on Arts and Art's Sciences from the University of Paris I - Pantheon Sorbonne, France, examined by M. le Professeur J. Lancri (University of Paris I), M. Rene Passeron (CNRS) and M. Edmond Couchot (University of Paris VIII).