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dc.contributor.authorRocha, Ana Maria Kesslerpt_BR
dc.date.accessioned2022-08-26T04:43:11Zpt_BR
dc.date.issued1999pt_BR
dc.identifier.issn0104-1886pt_BR
dc.identifier.urihttp://hdl.handle.net/10183/247929pt_BR
dc.description.abstractThis paper aims at introducing the complex interpersonal relationship between the characters Mozart and Salieri in Peter Shaffer's Amadeus (1979), while establishing their relative positions as “man” and “genius”in the plot. It also offers a brief discussion of the characters's quest for some larger truth, and of the father-son conflict existing in the play — two recurrrent themes in the author's earlier works, namely The Royal Hunt of the Sun (1964) and Equus (1973).en
dc.format.mimetypeapplication/pdfpt_BR
dc.language.isoporpt_BR
dc.relation.ispartofCadernos do IL. Porto Alegre, RS. N. 21/22 (dez. 1999), p. 15-24pt_BR
dc.rightsOpen Accessen
dc.subjectLiteratura inglesa : Teatro : Crítica e interpretaçãopt_BR
dc.subjectShaffer, Peter, 1926- : Teatro : Crítica e interpretaçãopt_BR
dc.subjectShaffer, Peter, 1926-. Amadeus : Crítica e interpretaçãopt_BR
dc.titleO homem e o gênio no Amadeus de Peter Shafferpt_BR
dc.typeArtigo de periódicopt_BR
dc.identifier.nrb000316683pt_BR
dc.type.originNacionalpt_BR


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