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dc.contributor.authorOliveira, Débora Almeida dept_BR
dc.contributor.authorMaggio, Sandra Sirangelopt_BR
dc.date.accessioned2017-06-07T02:39:57Zpt_BR
dc.date.issued2017pt_BR
dc.identifier.issn0101-4846pt_BR
dc.identifier.urihttp://hdl.handle.net/10183/159243pt_BR
dc.description.abstractFor a better understanding of a given narrative it is essential to be aware of the one who perceives (the focalizer). he focalizer’s beliefs and comprehension determine which characters and circumstances are to be ignored or closely examined through the use of sight, hearing, feeling, taste or smell. herefore, the issue concerning focalization is relevant to be taken into consideration when a literary work is analyzed. In the present article the work by the Australian author Markus Zuzak, he Book hief, is discussed under the assumptions from the narratological ield, especially guided by Gérard Genette, Mieke Bal, and Rimmon-Kenan. It is argued that focalization in he Book hief is one of the main literary techniques which help creating the atmosphere and meaning of the text.en
dc.format.mimetypeapplication/pdfpt_BR
dc.language.isoengpt_BR
dc.relation.ispartofIlha do desterro : a journal of language and literature. Florianópolis, SC. Vol. 70, n. 1 (jan./abr. 2017), p. [135]-142pt_BR
dc.rightsOpen Accessen
dc.subjectNarratologyen
dc.subjectZusak, Markus. The book thiefpt_BR
dc.subjectPercepçãopt_BR
dc.subjectFocalizationen
dc.subjectEmbedded focalizationen
dc.subjectLiteratura australianapt_BR
dc.subjectPerceptual focalizationen
dc.titleThe deadly perception of the witness : focalization in Markus Zusak's The book thiefpt_BR
dc.typeArtigo de periódicopt_BR
dc.identifier.nrb001015482pt_BR
dc.type.originNacionalpt_BR


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